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Grace Cameron

Art and Personal Statement
Born in Dundee 1961, I have worked at a variety of jobs, including 15 years as a nurse, before turning my attentions more seriously to art.
I graduated at Duncan of Jordonstone 2000, in Fine Art Printmaking and produced a series of successful work inspired by ancient rock art and Celtic history. As a direct result of this work I was awarded the Angus Council Commission and stayed on at Art College for another year on a work placement......... (contd below)

Following is a selection of this artists work, please phone (01350 728855) to see what we have available.

Colours of Loch Linnhe
Colours of Loch Linnhe
acrylic on canvas board
40 x 40cm



Loch Harport Skye
Loch Harport Skye
acrylic on canvas board
45 x 35cm


Misty Glen
Misty Glen
acrylic on canvas board
40 x 40cm

Rustic Colours of Clova
Rustic Colours of Clova
acrylic on canvas board
45 x 35cm
  Sacred Mountain
Sacred Mountain
acrylic on canvas board
40 x 40cm



Sunset over Kintyre
Sunset over Kintyre
acrylic on canvas board
40 x 40cm


I also won the John C Low scholarship in 1998, to go to Canada on a student exchange, and while I was there I was amazed by the beauty of the Canadian landscape and similarities to Scotland’s.
After college I was involved in a number of art projects and workshops with adults and children of all ages, as well as working three years in schools with children with special needs. I also spent three fabulous years at Dundee College as an art tutor with the children’s Arts and Crafts class, but in 2008 I decided it was time to concentrate fully on my own work.
I paint mostly in acrylics and mainly Scottish landscape but I have also been drawn to paint the Canadian Rockies because to me, looking at them is like looking at the mountains of Scotland, but on a giant scale.
Inspired by the colours, textures, patterns and a pure love of Scotland and it’s natural beauty, I try to capture the ethereal and ever-changing light and atmosphere of the landscape.
I paint flat using palette knives, hake brushes and at times, just my fingers. I try to bring energy and movement into the work, and by building up layers of paint that sometimes makes for a textural surface, and then the magic begins and the painting starts to emerge, and sometimes it is like the painting has almost painted itself .